“intuition and movement meet on the printing table and are communicated through moody pigments, color stories, landscapes, critters, ghosts, gestures, marks, visions and accidents. the less a human centric lens is apparent, the more content I am.”

“i paint on a 9 ft long glass worktable with a variety of nontoxic pigments, including water-based “oil”, gauche, walnut and sumi ink, vegetable oils, water, salt and ash. i then place carefully chosen papers on the coated glass and hand rub the back. after a while I “pull” the print and lay it out to dry. until that moment, I never know which areas of my painting will be transferred to paper. each work is singular: a mystery unfolding on paper.”